TÁCTIL is a creation and research project in Live Arts that seeks to subvert dominant perceptual orders based on vision, shifting their protagonism toward tactility and intimacy, understood as forms of knowledge and relational environments that are essential for contemporary times.
It reflects on and investigates the haptic experience through dance and performance, while activating the sequence: do–observe–think–do, working with matter and gesture.

It is driven by the desire to delve into desiring, relational, and non-binary forms of life.
Project TÁCTIL proposes the handling and manipulation of scenic languages and involves choreographic composition strategies of a relational nature: through movement, the manipulation of materials, the modulation of the body’s electromagnetic field, the control of temperature through lighting, and the use of sound as a source of vibration and tactility.

The working process took place between 2017 and 2020, resulting in the creation of a series composed of three distinct pieces:

I – LA MESA – Elastic Practice
II – LAS MANOS – Choreographic Piece
III – LAS LÁMPARAS – Performative Concert

Another fundamental characteristic of the research and creative process is the collaboration between the co-creating artists: Amador (performer and choreographer) and Leticia (scenic designer), who are dedicated to observing and activating co-creation processes not based on consensus or the homogenization of languages.

We understand the tactile as a possibility to foreground logics of affection and contagion, informed both by our zones of action in the world and by the intimate spaces we inhabit.

The inquiry into tactility (or the possibility of de-hierarchizing normative relations) is a strategy that directly dialogues with the becoming of dissident-creator subjects in the present.

Is it possible to perform tactility from a trans-feminist perspective?